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By Thierry Groensteen,Ann Miller

This publication is the follow-up to Thierry Groensteen's groundbreaking The method of Comics, during which the major French-language comics theorist got down to examine how the medium services, introducing the main of iconic team spirit, and exhibiting the structures that underlie the articulation among panels at 3 degrees: web page structure, linear series, and nonsequential hyperlinks woven throughout the comedian booklet as an entire. He now develops that evaluation additional, utilizing examples from a really wide variety of comics, together with the paintings of yankee artists corresponding to Chris Ware and Robert Crumb. He assessments out his theoretical framework by way of bringing it up opposed to situations that problem it, corresponding to summary comics, electronic comics and shojo manga, and gives insightful reflections on those innovations.

In addition, he contains long chapters on 3 components now not coated within the first publication. First, he explores the function of the narrator, either verbal and visible, and the actual concerns that come up out of narration in autobiographical comics. moment, Groensteen tackles the query of rhythm in comics, and the ability proven via virtuoso artists in intertwining assorted rhythms over and above the elemental beat supplied via the discontinuity of the panels. And 3rd he resets the connection of comics to modern paintings, conditioned by means of cultural background and aesthetic traditions yet evolving lately as comics artists movement onto avant-garde terrain.

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Comics and Narration by Thierry Groensteen,Ann Miller


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